1985 – Sumário da segunda edição inglesa

Preface to the Second Edition

INTRODUCTION

PART I: Cultural developments and predisposing techniques 1750-1939
1 Cultural transformations: Neo-Classical architecture 1750-1900
2 Territorial transformations: urban developments 1800-1909
3 Technical transformations: structural engineering 1775-1939

PART II: A critical history 1836-1967
1 News from Nowhere: England 1836-1924
2 Adler and Sullivan: the Auditorium and the high rise 1886-95
3 Frank Lloyd Wright and the myth of the Prairie 1890-1916
4 Structural Rationalism and the influence of Viollet-Ie-Duc: Gaudí, Horta, Guimard and Berlage 1880-1910
5 Charles Rennie Mackintosh and the Glasgow School 1896-1916
6 The Sacred Spring: Wagner, Olbrich and Hoffmann 1886-1912
7 Antonio Sant'Elia and Futurist architecture 1909-14
8 Adolf Loos and the crisis of culture 1896-1931
9 Henry van de Velde and the abstraction of empathy 1895-1914
10 Tony Garnier and the Industrial City 1899-1918
11 Auguste Perret: the evolution of Classical Rationalism 1899-1925
12 The Deutsche Werkbund 1898-1927
13 The Glass Chain: European architectural Expressionism 1910-25
14 The Bauhaus: the evolution of an idea 1919-32
15 The New Objectivity: Germany, Holland and Switzerland 1923-33
16 De Stijl: the evolution and dissolution of Neo-Plasticism 1917-31
17 Le Corbusier and the Esprit Nouveau 1907-31
18 Mies van der Rohe and the significance of fact 1921-33
19 The New Collectivity: art and architecture in the Soviet Union 1918-32
20 Le Corbusier and the Ville Radieuse 1928-46
21 Frank Lloyd Wright and the Disappearing City 1929-63
22 Alvar Aalto and the Nordic tradition: National Romanticism and the Doricist sensibility 1895-1957
23 Giuseppe Terragni and the architecture of Italian Rationalism 1926-43
24 Architecture and the State: ideology and representation 1914-43
25 Le Corbusier and the monumentalization of the vernacular 1930-60
26 Mies van der Rohe and the monumentalization of technique 1933-67
27 The Eclipse of the New Deal: Buckminster Fuller, Philip Johnson and Louis Kahn 1934-64

PART III: Critical assessment and extension into the present 1925-84
1 The International Style: theme and variations 1925-65
2 New Brutalism and the architecture of the Welfare State: England 1949-59
3 The vicissitudes of ideology: CIAM and Team X, critique and counter-critique 1928-68
4 Place, Production and Scenography: international theory and practice since 1962
5 Critical Regionalism: modern architecture and cultural identity

ACKNOWLEDGMENTS

SELECT BIBLlOGRAPHY

INDEX

Fonte(s): FRAMPTON, Kenneth. Modern architecture: a critical history. 2. ed. Londres: Thames & Hudson; Oxford University Press, 1985. Col. World of Art. 360 p.